What I Do

ON SET

Location Sound
Clean dialogue and atmos capture for film, TV and commercials. I bring my own kit and deliver audio your editor can actually work with.

IN POST

Sound Editing
Dialogue cleanup and effects editing. Turning raw location audio into clean tracks ready to build on.Sound Design
Making original sound, foley and atmospheres. Building the sonic world of your film, whether from scratch or growing what was captured on set.Final Mix
Stereo mixing for film, web and broadcast. Festival-ready and meets delivery specs

Hire me for both
Most films lose something between set and post. Production audio gets handed to someone who wasn't there, and usable recordings get replaced unnecessarily. I record on set and carry that same audio through design and mix. One pair of ears from location to final delivery.

Change

Director
Frances Sholto-Douglas

My Role
Set Sound,Sound Design and Final Mix

LIYABUYA

Director
Bronwin October

My Role
Sound Design and Final Mix

REVERIE

Director
Alex Andipatin

My Role
Sound Editing and Final Mix

Take A Seat

Director
Stephen James Rheeder

My Role
Sound Editing and Final Mix

You, Me & Everything in Between

Director
Esther Jo Mbulawa

My Role
Set Sound,Sound Design and Final Mix

Sound Re-Design

Alita: Battle Angel
Director
Robert Rodriguez

Gantz
Director
Shinsuke Sato

Power Plant No.33
Director
Yasuhiro Yoshiura

Hammerhead
Director
Otaro Maijo

About

I am a sound designer who fell in love with the craft through animation.My focus is on finding the personality in a sound, whether it's synthesized, recorded, or something in between.

Software List

DAWNuendo 14 — all Steinberg native plugins includedDialogue Cleanup / Restoration- iZotope — RX 10 (full suite)
- accentize — dxRevive ProEQ- FabFilter — Pro-Q 4
- Voxengo — CurveEQ
- iZotope — Tonal Balance Control 2
- Plugin Alliance — bxconsole Focusrite SC, bxconsole SSL 4000 E, elysia niveau filterCompression / Dynamics- FabFilter — Pro-C 3
- McDSP— SA2 Dialog Processor, 6060 Ultimate MC, AC101, AC202, DE555
- Plugin Alliance — Shadow Hills Mastering Compressor, bxmasterdesk, elysia alpha master, elysia alpha mix
- Klevgrand — Korvpressor
- Sonnox — SoftenReverb- Dear Reality — dearVR PRO 2, Exoverb, MIYA
- LiquidSonics — Reverbate
- Soundly — Place it
- UADx — Pure Plate Reverb
- SPL — Mo-Verb Plus, De-Verb PlusPitch / Time- Celemony — Melodyne
- Klevgrand — REAMPSpatial / Surround / Immersive- Barco — Anymix Pro
- Schoeps — Mono Upmix 1to2, 1to3
- Dear Reality — dearVR MIX
- iZotope — Ozone 9 ImagerSound Design / Effects- Soundtoys — Crystallizer
- Denise Audio — Dragon Fire, My Crush, Sub Generator
- SoundGhost — Texturize
- Unfiltered Audio — Triad, Fault, Bass Mint, Dent 2, Indent 2, SpecOps
- Spectral Plugins — OCS-45, Pancz, Spacer
- McDSP — FutzVerb, FutzBox
- iZotope — Trash 2Analysis / Metering- Sonarworks — SoundID Reference
- iZotope — Relay
- Plugin Alliance — bxtunerMastering- iZotope Ozone 9 — full suiteMixing- iZotope Neutron 3 — full suite

Gear List

Recorder / Mixer
- Sound Devices MixPre-6 II — up to 6 channels (primary)
- Zoom H5 (backup)Wireless
- Deity Theos — 2 lavs
- Icon Airmon UHF — director comms & camera scratch feed
- Rode Wireless GO — camera hop when director feed isn't neededBoom
- Rode NTG2 shotgun mic
- K-TEK Essential — 5-section internally cabled pole
- Rode Dead Wombat wind protectionMonitoring
- KZ EDX Pro IEMs (preferred)
- Audio-Technica ATH-M40X (over-ear backup)Power
- Full 12-hour runtime on a single charge> Note: Timecode system rented per production. Solo operator.